Chapter 19: Campaign for Art Awareness
Spreading the word about art: choosing a subject, gathering material, and making a poster or brochure campaign.
Original notes — ready CBSE (NCERT, English Medium) • Class 8 • Arts • Book: Kriti
Chapter 19: Campaign for Art Awareness — EG's own notes, in simple words
Book: Kriti (CBSE, Class 8) | Chapter 19 | Section: Visual Arts | Medium: English

Diagram (labels are printed on the image): A labelled diagram of a tri-fold brochure: cover, introduction, process timeline, gallery and sources across six sides.

Students presenting a campaign poster about a local artist at a school exhibition.
What the chapter is about
An awareness campaign helps communicate a particular message and brings focus to important issues. The message could be about a new service or a discount on a product, a public announcement like the campaign about wearing masks during the pandemic, or a message about an artist or an art practice. This chapter builds a campaign for art awareness, step by step, ending in a portfolio presentation and a class exhibition.
Activity 19.1, 'Choose the subject for your campaign', starts with the subject, in small groups of 4 to 5 students. You can work with an artist — a painter, sculptor, designer or photographer — or a community keeping an art and craft tradition alive, as studied in Chapter 18, or a school production, or even a project of your own. Prompts help the choice: do you know artists and art practices from your region? Is there an upcoming festival or local crafts fair where you are likely to meet artists? Are there art and design schools in your region? Is there an art museum or gallery near you, and what artworks do they exhibit? Choose the one you can relate to, and discuss it with your teacher.
Collect, organise, create
Activity 19.2, 'Collect information', gathers material by talking to teachers, friends and family members, visiting the library, referring to local newspapers and textbooks, and meeting artists where possible. Activity 19.3, 'Organise the information', sorts what was collected into a clear sequence and flow. Activity 19.4, 'Create visuals and bring it together', turns it into a campaign: a poster about the artist or art practice, a brochure compiling a series of their works, or a small flyer to distribute during lunch time — whichever works best for the campaign. Experiment with techniques like collage and printmaking, and look closely at the material used by the artist or art practice: can you take inspiration from it?
The steps for making a brochure are exact: fold an A4 sheet into three equal parts; decide the sequence of pages and the flow of information; assign the six sides to sections of information — cover page with title and main message; introduction in a few words and visuals; process, sharing background on how an artwork is created or a timeline of important works; visual gallery with photos and drawings of the artist, their work, materials and tools; and sources, mentioning where the information came from so readers can find out more themselves. Visual elements must highlight the important information in the brochure.
Portfolio and exhibition
The chapter's summative assessment asks each student to make a portfolio presentation: choose 5 artworks reflecting learning milestones — including elements and principles of visual art, the most challenging artwork, composition or visual arrangement, the most satisfying artwork, and an artwork using a technique or material for the first time — with rough sketches and process samples. Then plan and organise a class exhibition in groups of 6 to 8 students: look at group members' artworks and portfolios, find a common theme, choose a title, plan the display format and execute it, applying design principles while displaying, and label each artwork with the student's name, title, medium and date. Judged points include theme and title choice, artwork selection, design principles in display, and the labelling.
A brochure without sources is a dead end. Always say where information came from, so readers can explore further.
Poster, brochure or flyer — pick the form that fits your subject and your audience, not the one that looks easiest.
Key Terms
- Awareness campaign — A planned effort to communicate a message and bring focus to an important issue.
- Brochure — A folded leaflet presenting information in sequence — cover, introduction, process, gallery, sources.
- Flyer — A small handout, here for distribution during lunch time.
- Poster — A large visual display about an artist or art practice.
- Portfolio — A selected set of artworks showing learning milestones, with sketches and process samples.
- Exhibition — A planned public display of artworks, with a theme, title and labels.
- Collage / Printmaking — Techniques for campaign visuals: pasted compositions / printed images.
Remember
- Campaign = message + focus on an important issue (artist, practice, service, announcement).
- Subject: artist, community tradition, school production or own project; groups of 4–5.
- Collect: people, library, newspapers, textbooks, artists. Organise: sequence and flow.
- Create: poster, brochure or flyer; collage and printmaking; take inspiration from the artist's material.
- Brochure: A4 folded in three; six sides = cover, introduction, process/timeline, gallery, sources.
- Portfolio: 5 artworks + sketches/process samples. Exhibition: groups of 6–8, theme, title, labelled display.
Exam Tip / Common Mistake
Common mistake: filling a brochure with decoration and forgetting the sources page — or writing the message without a clear title on the cover. Cover first, sources last, both mandatory.
Chart / Table: The six sides of a tri-fold brochure
| Point | Detail |
|---|---|
| Cover | Title and main message |
| Introduction | What the brochure is about, in a few words and visuals |
| Process / Timeline | How an artwork is created, or important works in order |
| Visual gallery | Photos and drawings of artist, work, materials, tools |
| Sources | Where the information came from, for further reading |
| Design rule | Visual elements highlight the important information |
Practice set — try it yourself
- What is an awareness campaign?
Hint: A planned effort to communicate a message and focus on an issue. - In Activity 19.1, how big are the groups?
Hint: 4 to 5 students. - Name three ways to collect campaign information.
Hint: Talk to people, library, newspapers, textbooks, meet artists. - How is a brochure made from an A4 sheet?
Hint: Folded into three equal parts, six sides assigned. - What goes on a brochure's cover?
Hint: Title and main message.
Questions with Answers
- What is an awareness campaign, and what kinds of messages can it carry?
A campaign communicates a particular message and brings focus to important issues. Messages can concern a new service, a discount, a public announcement (such as mask-wearing during the pandemic), or an artist or art practice. - How do you choose a campaign subject?
In groups of 4–5, pick an artist (painter, sculptor, designer, photographer), a community keeping a tradition alive, a school production or your own project — guided by prompts about regional artists, festivals or crafts fairs, art schools, and nearby museums or galleries — and discuss the choice with your teacher. - What are the steps for making a brochure?
Fold an A4 sheet into three equal parts; decide the sequence and flow of information; assign the six sides: cover (title and main message), introduction (brief words and visuals), process or timeline (how work is created or important works), visual gallery (photos and drawings of artist, work, materials, tools), and sources (where information came from). - What should a portfolio presentation contain?
Five artworks reflecting learning milestones — elements and principles, the most challenging work, composition or visual arrangement, the most satisfying work, and a work using a new technique or material — plus rough sketches and process samples. - How is a class exhibition planned?
In groups of 6–8: review members' artworks and portfolios, find a common theme, choose a title, plan and execute the display format applying design principles, and label each artwork with student name, title, medium and date.
Extension questions — go deeper
- Plan a campaign for a local artist you know: subject, three information sources, chosen form (poster/brochure/flyer) and why.
A complete plan names a real local subject, three distinct sources (for example an interview, a newspaper article and a textbook), and a form justified by audience — a flyer for lunch-time distribution, a brochure for depth. - Your brochure draft has no sources page. Why does that weaken the whole campaign, not just the last panel?
Because readers cannot verify or explore further: without sources the campaign is a claim, not a guide, and the chapter treats sources as the reader's onward path, not an afterthought. - Design the six sides of a brochure for Chapter 18's papier-mâché, naming one content item per side.
Cover: title and message; introduction: what papier-mâché is; process: pulp to painted form; gallery: box photos and chinar motif; sources: textbook chapter, artisan interview, museum visit — the chapter's structure applied to a real subject. - Your exhibition group cannot agree on a theme. How would you find a common theme from members' portfolios?
Lay out all portfolios, list recurring subjects, materials or colours, and pick the theme that covers the most works honestly — theme from evidence, not from the loudest voice. - Why does the chapter end the book with a campaign and exhibition rather than a test?
Because art awareness is proved by communicating art to others: a campaign and exhibition show understanding, organisation and craft in public, which a written test cannot.
- Campaigns: message + focus.
- Subject choice: groups of 4–5, prompts.
- Collect → organise → create.
- Brochure: tri-fold, six sides, sources.
- Portfolio (5 works) + exhibition (6–8, labelled).
How to use this page: Read the summary, say the Key Terms in your own words, then try the practice set without looking. Use the Questions with Answers to check yourself afterwards. Ask your teacher or parent to check your answers.

